Alternating between realist conversations between Muzi, family, and lovers; dreamlike interludes; and intermittent documentary sequences with local young people who are floating through their own discombobulating twenties, The Cloud in Her Room is an expressive depiction of the feeling of being transitory in one’s time and place. so in the introduction at Filmfest Hamburg it was said that the film incorporates various stylistic elements from the Nouvelle Vague and I got curious and really attentive and then it turned out that everyone just smokes so fucking much. When she explores its small rooms alone, or later, with Yu Fei extolling its virtues like a realtor, the air of neglect is palpable. Anything not listed in Letterboxd will…. For those born during the one child policy in a country undergoing unprecedented speeds of change, this is sometimes how it feels – I have felt it. Like most people, I first heard of them from a few of their demos floating around the … And then when, on occasion, the image is reversed into negative, the darks dominate: the muzzle flare from a welding iron is an inverse firework spilling globs of black down a stairwell. Complete list of Dan Sallitt’s favorite films. Report this film, “I want to dissolve the boundaries of factual reality, fantasies and dreams. Film at Lincoln Center and The Museum of Modern Art have announced the complete lineup for the 49th annual New Directors/New Films, March 25–April 5. And it feels like the launch of an excitingly uncompromised, offbeat new talent, whose sensibility nods to both the modern slow-burn social realist tradition in China, and the classic European arthouse, without being beholden to either. We see her wandering through Hangzhou while she’s visiting her divorced parents, making new friends, and trying to connect with her (ex? Doesn't totally add up but a dreamy, hypnotic, pleasurable, meandering, experimental journey wandering through Muzi's life and mind and the people that wander in and out of her life. There’s a crisply designed, deceptively realist soundscape complemented by the sparing use of Tseng Yun-Fang’s hyper-modern, atonal music. She then meets an older man, another chain smoker, who runs a local bar while her boyfriend unexpectedly visits her. Her father has started a new family, her mother has friends abroad; it seems like only Muzi cares about this place. When she goes to open a window, the whole frame falls away. Then hang your RoomCloud™ from the ceiling with the included invisible sticky hanging system - No tools or drilling required! “Any time I come back it feels more different than before,” Muzi says of her home city of Hangzhou, a place where what’s called progress just looks a lot like disappearing. However, the creative use of home movie / documentary-like interviews, inverted negative effects, underwater and other cinematography aesthetics are to be commended. Mobile site. Your first 15 GB of storage are free with a Google account. Initially excited given the hype and groundbreaking style, but in the end, I was a bit disappointed. A young woman returns to her hometown to visit her divorced parents and celebrate the Chinese new year. Through the thick cloud of hype surrounding newcomers like Bloc Party and The Bravery, The Cloud Room has quietly entered the fray with a stunningly unique, thoughtful, timeless first album. Some moment feels very personal, and the other feels as if I’ve been there too. © Copyright 2021 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. Perhaps the film could’ve worked better as a lengthy short film. In common with much independent and experimental cinema across generations of young filmmakers, the movie has a free-associative, diaristic, even scrapbook feel. The Cloud in Her Room 她房間裡的雲. It's not my kind of film. In The Cloud in Her Room, she wanders several times through this static past. Muzi's parents' old apartment is still there. If individual images last longer with you than the slender skeins of narrative that run through Zheng’s screenplay, that does seem like a deliberate — and quite daring — choice on the part of a new filmmaker confident enough to build her film obliquely, and without the obvious storytelling scaffolding of plot and narrative arc. It’s been a great place for offsites when I’ve wanted to coalesce and inspire my … It’s these sudden moments of vivid drama — the falling window, the sex scenes, the barroom discussions, the tussle between Muxi and her drunken mother after a karaoke night — that give the film such unusual texture. Думал, что будет китайский Хон Сан Су, а получил китайского Антониони. This entropy is most clearly exemplified in Muzi’s childhood apartment, which is abandoned now, although still owned by her father. DP Matthias Delvaux’s monochrome photography is soft and mid-toned — if anything, often keyed more to the white than the black, so that, like in a beautiful and surprisingly explicit sex scene, entangled limbs and skin tones turn to alabaster. But ultimately this film is not for me. The dawn of the new century, the first 20 years. Episodic and experimental, lucid and then langorous, “The Cloud in Her Room” gives all it has to give from almost the moment it begins, and when it ends, it doesn’t really end, it simply stops. 159 likes. The Package. Peine perdue... L'expérience est voulue ainsi, ouverte et mystérieuse, éclatée, multiforme, insaisissable, comme le passage et les interactions de son personnage principal dans ce lieu changeant où passé et présent se mêlent, comme ces multiples volutes de fumée émanant du nombre incalculable de clopes consumées devant l'écran et qui finissent par créer un nuage diaphane permanent (le titre ne saurait être mieux choisi). And like that, World of Tomorrow Three: The Absent Destinations of David Prime was ours, an overnight gift to the quarantined and bereaved-weary, on Vimeo for all to rent or own. Visual negatif ini yang kemudian memperindah percikan api yang jatuh ke bawah dari seorang tukang las. Souvent fascinants, parfois confondants d'hermétisme, l'approche subjective, expérimentale et non linéaire de la narration et le remarquable travail esthétique de cette cinéaste témoignent de l'émergence d'un talent certain. Atau mungkin hanya sekadar? The Cloud in Her Room Q&A with Director Zheng Lu Xinyuan 35m The Cloud in Her Room Q&A with director Zheng Lu Xinyuan, hosted by Vanessa Gildea, Women in Film and Television Ireland. Introducing a truly unique way to light up your room ☁️ Control your roomclouds® colors with over 15 modes, music sync and DIY mode to control sections of your roomcloud®. The Cloud Room, Seattle, Washington. It also makes “The Cloud in the Her Room” difficult to describe, except as a series of ephemeral encounters, mostly revolving around Muzi (Jin Jing), a slight, directionless 22-year-old in high-waisted pegged trousers and clumpy shoes, who is visiting her hometown of Hangzhou. TMDb By Jonathan Romney in the May-June 2020 Issue. Kamera merekam segala detail tubuh Muzi, atau aktifitas merokoknya di sepanjang film, yang dimana ini merupakan…. 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The Cloud in Her Room savours details of the cinematic world, uncontrolled grimaces on characters’ faces or unexpected glitches in reality, as if yearning for honesty and disinterested truth that is possible only through coincidences. ✏️Paul Attard, Check out the official top 100 narrative feature films by women directors list. That one transcedental film which truly hits me home. I can see why people might like this film. The Cloud Room is an energizing creative space to think, brainstorm, and strategize away from my cube. Un regard original, fort et personnel, sur les traces d'une jeune femme de retour dans sa ville natale de Hangzhou, où je me suis complètement perdu, n'arrivant pas à rassembler tous ces fragments rêvés, vécus, fantasmés ou souvenus en un tout cohérent dans mon esprit, au point où j'ai réécouté plusieurs scènes pour tenter de mieux comprendre et cerner de quoi il était question. Jin Jing Liu Dan Ye Hongming Dong Kangning Zhou Chen, Blackfin (Beijing) Culture & Media Co. Rediance, Облако в её комнате, Ta fang jian li de yun, 98 mins   See the full festival lineup in our Virtual Cinema. Pride: A Chronological History of Queer Interest & LGBTQ+ Cinema, Modernity and digitalization equal loneliness and decay (? IMDb 2020年のロッテルダム映画祭タイガーアワード受賞作。てっきりフィルメックスに来るものだと思っていた。物語はある日、ムジは両親と暮らしていた古いアパートに帰ってくるところから始まる。両親は離婚して別々の新たな生活があるので古い家は空っぽで、そこで記憶を辿り直しているのはムジしかいない。映画は近過去から現在までの時間軸をバラバラにして語っている。それになにか意味があるわけではなく、ただの時間稼ぎなのだが、中国映画らしからぬ瑞々しさを感じる画面はどれも良いのでマイナス面も相殺してトントンという印象。タイトルバックとエンディングがとても良い。. Refer…, It happens a lot that I recognise movies to be (outspokenly) stylish, evocative and methaporical, rather than just 'entertaining' or…, The complete starting list for TSPDT's ranking of the 21st Century's Most Acclaimed Films. Un essentiel, sans aucun doute. The characters, dialogue, and narrative feel unsophisticated and superficial. Artistik dan melankolis. There are docudrama-ish interludes which are almost like interviews with orbital characters. 2021 ACM Awards: How to Watch, Who’s Nominated, Who’s Performing, Here’s How to Keep Your Crew From Being Pirated by Another Yacht, Formula One Announces Arrival of Miami Race in 2022, Stop Overpaying — These Are the Best Affordable Printers for People Who Don’t Really Use Them That Often, The Masked Singer: All the Clues You Need Heading Into Season 5's Super 8. The group comprises J Stuart (vocals/guitar), Jason Pharr (drums), Ben Nugent (keyboardist), and Jon Petrow (bass). Fueled by powerful performances and flawless directing, "The Room" is a masterpiece in filmmaking that will definetely leave it's audience speechless. Her mother now dates younger men and enjoys boozing and dancing, the daughter being a most welcome partner. Zheng Lu Xinyuan's The Cloud In Her Room is an official selection at the 49th New Directors/New Films. Yeah I know there was an inkling of a story but most scenes meant nothing. Also I think I may have got Lung Cancer just watching how many times characters lit a cigarette. The first feature film from Zheng Lu Xinyuan, THE CLOUD IN HER ROOM is a gorgeously-photographed submersion into liminality, a dreamlike monochrome tale of transition, with no separation between the tangible and the unreal. Film data from TMDb. With gorgeously monochrome photography, the director finds seemingly endless new ways to capture the dawns and twilights, the familiar pleasures and urban estrangement of the city of Hangzhou, where the director is from. The Cloud in Her Room is a female-driven, queer-themed story that takes place when a young woman named Muzi returns to her hometown for Chinese New Year. It’s an LGBTQ+ world and these are my other LGBTQ+ lists on Letterboxd: ➡️Minor Interest Films: In the Closet: A…, Welcome to the 2020–2021 motion picture awards season, where we keep track of the major feature film and feature documentary…, Initially the list's title referred to a major theme in the oeuvres of both Edward…. Ada beberapa adegan vulgar dan eksotis yang dikemas sangat artistik. And there are eccentric, lived-in moments that feel borderline autobiographical in their authenticity: Muzi’s little half-sister Niu (Wang Ruiwen) goes to an after-school class where, half-cutely, half-horrifyingly, children are learning to strike catwalk poses and to strut like models; Muzi goes on a walk with a gay friend (Wu Wei) through an abandoned construction that looks like a prehistoric cavern and occasions an argument between him and his boyfriend (Ding Yi) when he offhandedly proposes that she bear his child. Some scenes, like an arresting opening depicting a storm, read like Caravaggio paintings in how the black elements of the monochrome photography dip into unseen oblivion. Made by fans in Auckland, New Zealand. The Cloud in Her Room enters the 49th New Directors/New Films. "The Room" masterfully written, directed, produced, and starring Tommy Wiseau tells the Shakespearean tragedy of Johnny, a banker who is betrayed by the "love of his life", Lisa. Zheng Lu Xinyuan’s impressive, all but inexpressive debut, goes by the appropriately enigmatic and smoky title “The Cloud in Her Room,” and won the top prize at the 2020 Rotterdam Film Festival. Rotterdam Review: The Cloud in Her Room is a Confounding, Mesmerizing Portrait of Loneliness Leonardo Goi ○ February 2, 2020 The Hangzhou of Zheng Lu Xinyaun’s The Cloud in Her Room is a funereal city, a protean place rife with cranes and construction sites, where new buildings mushroom overnight and craters devour the earth beneath. IMDb, the world's most popular and authoritative source for movie, TV and celebrity content. The nice people over on Patreon voted for this video, so here it is:) I really enjoyed making it! if you had trouble following the time jumps in gerwig’s little women do not click play on this. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. In many films that are shot in colour, when there’s a flashback or a dream it’s shown in black-and-white. The perspective of a phone camera complete with an app’s overlay, a hyper-close examination of a body in a bath, striking uses of inverted footage, the film is so relentlessly visual in its storytelling. This is the film Frances Ha wanted to be. 2020 New Directors/New Films Festival, Film #32. The Cloud in Her Room (2020) 3 of 4. There are also commercials in here for some reason. Ta fang jian li de yun (2020) Titles The Cloud in Her Room. Hitam putih ini memang cara yang ampuh untuk menggambarkan bagaimana misteriusnya seorang karakter utama yang sedang hilir mudik tanpa arah karena telah ditinggal kedua orang tuanya bercerai meskipun dirinya masih bisa bertemu kembali. The very infrastructure of the city is reflective of Muzi’s melancholic state of mind: It’s in a constant flux of traffic and building work almost as though distracting itself from its gradual decline. The Cloud Room, named after the Prohibition-era speakeasy at the top of the Chrysler Building, is an American band based in Brooklyn, New York in 2004. Всем тяжело и печально, караоке не помогает, "одиночество – сволочь", но при этом работает. Hallucinant trip dans l’intimité interdite d’une jeune Chinoise. Appreciated the experimental nature of the personal storytelling though didn’t really find it engaging. A bed, an abandoned chair, a window falling off its hinges – the remnants of a relationship that has moved on. Visual hitam putih yang terkadang dibalik untuk berubah menjadi negatif menegaskan bagaimana film ini berupaya mengeksplorasi visual, mencoba melemparkan rasa kepada penonton dengan cara sedikit eksperimental. Full Review at In Review Online, part of ND/NF 2020 — Dispatch 3, "Zheng Lu Xinyuan’s The Cloud in Her Room represents the type of opaque arthouse drama that tends to do exceedingly well on the international film festival circuit, with critics bestowing praise upon these works that reads like they’re treating press kits as gospel. Artistically bold and mesmerizing, added with a very thin narrative background making me sure that this is just really my kind of film. Variety and the Flying V logos are trademarks of Variety Media, LLC. A bed, an abandoned chair, a window falling off its hinges – the remnants of a relationship that has moved on. It is far too depressing, imprisoning itself in negative emotions and futile attachments, when what we should be doing is letting go and moving forwards. The story itself is pretty bare bones: college student Muzi returns to her hometown, Hangzhou. 2020 Drifting aimlessly, lost, caught in between, always looking back, like the ground has been pulled from beneath your feet. Her father has a new wife and a small child but seems more concerned about his job than anything else. ‎Shadow in the Cloud (2020) directed by ... - letterboxd.com ‘The Cloud In Her Room’: Rotterdam Review | Reviews | Screen With Zhou Chen, Ye Hongming, Jin Jing, Dong Kangning. Zhao Muzi went back to her hometown Hangzhou for spring festival. A film that feels like it’s being made up as it goes along, a way to try to pin down a life and a place that feel like on-going projects rather than solid entities. The Cloud Room, named after the Prohibition-era speakeasy at the top of the Chrysler Building, is an American band based in Brooklyn, New York.Their self-titled album was released in 2005 and contains the hit "Hey Now Now", a song that garnered the band rapid popularity on MP3 blogs but, being an indie release, had difficulty getting airplay on Commercial American radio. ), The Ultimate Film Canon: 21st Century (2001-2020), TSPDT: The 21st Century's Most Acclaimed Films - starting list (fully updated for 2021). In the throes of World War II, Captain Maude Garrett (CHLOË GRACE MORETZ) joins the all-male crew of a B-17 bomber with a top-secret package. Her divorced parents (Liu Dan and Ye Hongming) are each with new partners — the latest of several for both, apparently — and Muzi herself is juggling a semi-serious relationship with her Beijing photographer boyfriend Yu Fei (Chen Zhou) who follows her to Hangzhou unexpectedly, and a sort-of attraction to a worldly local bar owner (Dong Kangning). Audacious. Letterboxd is the best way to track the films you watch and want to watch. Winner of the top prize at this year’s International Film Festival Rotterdam, this mesmerizing debut feature from Chinese filmmaker Zheng Lu Xinyuan is an autobiographically tinged portrait of 22-year-old Muzi (Jin Jing), a young woman drifting through her days and nights after returning to her hometown to celebrate the New Year with her parents, and unable to let go of her past. Watched virtually at ND/NF via FilmLinc (DEC 19, 2020). Random bursts of anger and loveless sex. The Black and White cinematography in this movie was beautiful all this movie ended up being was a whole heap of short scenes with no real connection to the previous one. 2.1K likes. A co-working space and creative community in the heart of the Pike/Pine corridor on Capitol Hill. Here, everything is in black-and-white, and you really have to judge based on the content itself.”(Zheng Lu Xinyuan), In Zheng Lu Xinyuan’s first feature film she examines relationships and feelings in the ever-changing urban landscape of Hangzhou. There are hard edges to bump against in the diaphanous fog of mood she sets up which give “The Cloud in Her Room” a freshness and a realness that stops it from floating away into wispy irrelevance.

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